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 이화여대 영어영문학의 한국적모델 사업단이 주관, 주최한 국제 컨퍼런스, 계절학교, 초청강연의 동영상입니다. 모든 강의는 영어로 진행되었습니다. |
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| 2012 Ewha BK Winter School (Day5) |
Aesthetics of Excess:
Theorizing the Interface of Art and Technology
Timothy Murray
Society for the Humanities
Cornell University
Ithaca, New York
Jan. 6 (Friday): Being Scanned: Digital Terror
Returning to the opening linkage of technology with systems of visual control and digital surveillance, the final lecture will question the role of art and aesthetics in what Gilles Deleuze calls “control societies.” Do technologies of digital terror return us to darker paradigms of Heidegger’s “world picture” or can they be appropriated by the aesthetics of excess?
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| 2012 Ewha BK Winter School (Day4) |
Aesthetics of Excess:
Theorizing the Interface of Art and Technology
Timothy Murray
Society for the Humanities
Cornell University
Ithaca, New York
Jan. 5 (Thursday): TechnoError: Sound Art
In contrast to the technologies of visual control outlined by Heidegger and challenged by Lyotard, sound art capitalizes on technologies of noise, error, and glitch. This lecture will investigate the relation between sound and affect, noise and listening. Examples will emphasize sound art and interactive sound installation from Asia.
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| 2012 Ewha BK Winter School (Day3) |
Aesthetics of Excess:
Theorizing the Interface of Art and Technology
Timothy Murray
Society for the Humanities
Cornell University
Ithaca, New York
Jan. 4 (Wednesday):
Cinema into the Data Future: Interactive Cinema to Animation
This session will consider the impact of the “immaterial” on cinema and its digital manifestations. Considering conceptual writings on cinema by Lyotard and Gilles Deleuze, we will ask how the screen situates the viewer between reality and virtual, between image and affect? Examples from interactive cinema, new media and animated installation will inform the lecture.
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| 2012 Ewha BK Winter School (Day2) |
Aesthetics of Excess:
Theorizing the Interface of Art and Technology
Timothy Murray
Society for the Humanities
Cornell University
Ithaca, New York
Jan. 3 (Tuesday)
Machinic Immaterialities: Techno-Performance
What might it mean for the art to be “immaterial”? Departing from the lecture on “Art Toward the Immaterial” by the French artist, Yves Klein, the lecture will introduce Jean-François Lyotard’s later theory of “Les Immatériaux” and then discuss the paradox of technological performance art. How is Techno-Performance “immaterial”?
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| 2012 Ewha BK Winter School (Day1) |
Timothy Murray
Society for the Humanities
Cornell University
Ithaca, New York
Aesthetics of Excess:
Theorizing the Interface of Art and Technology
The rise of cinema and mechanized representational technologies has provided an informative backdrop for a century long reflection on aesthetics and the excesses of affect, sentiment, and corporeality. Emphasizing French psycho-philosophical approaches to cinematic and new media technologies, the seminar will rehearse the intellectual backdrop for understanding this Aesthetics of Excess in relation to modern/postmodern formulations of subjectivity, sexuality, and politics. Lectures will present a broad spectrum on international interventions in electronic and new media arts in order to frame discussion of the balance between aesthetics and the social contribution of technological art.
Jan. 2 (Monday): Aesthetics Meets Technology
This will lecture will introduce the interface of art and technology by comparing Heidegger’s discussion of technology and pictoriality with Félix Guattari’s theory of technological excess. Visual and artistic examples will shape the lecture and discussion.
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